I think yall are confusing 'dominant frequency' with 'key' of a sound. examples include, noise, impulses, and inharmonic tones - guess what, most drum sounds approach either noise, impulsive, or inharmonic tones. flame me if you want but i got to set some stuff straight.įirst off, like i said earlier, not every sound has a 'key'. This thread has a lot of misinformation and misconception it. On a real drum you are way more flexible. Tuning a drum by pitching it is different to tuning a real drum where you adjust some screws on the rim. Otherwise my samples would either get too long or too short and the drums would also start to sound unnatural because of pitching them too much. If i can't make them fit in this range, i just choose other sounds. Having said that, i usually don't pitch my drums up or down by more than 2 semitones. The only difference is that drums from a record will be tuned to each other (at least if a decent drummer played them), drums from a library won't necessarily be tuned to each other, but by tuning all drums to the pitch of the song you will tune them to each other anyway. Whether the drum is sampled from a record or taken from a drum library is totally irrelevant. There is no thing as "This drum is tuned, so now i can use it on every song". If you use it on another song, you will have to adjust it a second time. Every drum is tuned, but often this tuning won't match your current song, so you have to adjust it. It's just adjusting the pitch of the drum sounds to the pitch of the song you are working on. Sorry, but you probably haven't understood what drum tuning is. The people who design those drums sounds are pretty good at what they do. MPCWeapon1 wrote:I tune all my drums.when you get your drums from records, you almost have too.if you use library stuff you really don't.
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